Traditional woman dress of Harb tribe, Saudi Arabia, continued
Elements of the tribeswomen attire
The traditional dress and accessories of a Harb’s tribeswoman has so many intricate features that each time I look at the photos I find new details. There is a rich variety of stitches in the embroidery, lots of contrasting applique patches in vibrant colors, and the dress cut is quite peculiar with its long sleeves and plant-dyed gussets.
Image source Traditional Crafts of Saudi Arabia book by John Topham
Charles Doughty in his Travels in Arabia Deserta, 1921, wrote “In the Nejd Harb I have found the ancient Arabian mind”. He was invited to a tribesman’s tent where he met the tribesman’s wife:
Image source: Magazine Nomadic Peoples 18, No.2, 2014
Generally the older available sources describe members of the Harb tribe as rather short, slender and with dark-toned skin, and emphasize their warlike courage.
The caption says “Man of the Harb tribe, environs of Medina” and “Woman of the Harb tribe, environs of Medina” (from the right).
The basic part of a Harb tribal woman’s attire was a thobe – a loose floor-length dress appliqued with multicolored strips, rich patchwork, embroidered with colored glass and metal beads, with mother-of-pearl buttons. Long sleeves (length generally varies from 35 to 55cm) hang to the ground.
Image source Textile Arts Council Magazine, January 2014, Volume XXIX, Number 1, Article Textiles and Costumes of the Arabian Peninsula
I have found a few more designs of this dress in Traditional Crafts of Saudi Arabia book by John Topham:
Image source Traditional Crafts of Saudi Arabia book by John Topham
There is a beautiful website dedicated to the traditional clothing of Saudi Arabia, which was a go-to source for me. They have a large collection of the Harb tribe dress photos. I love the blue colored ones!
Many subtle and obvious variations in the styles of the tribal dresses of Harb tribes may have once served to differentiate branches of this large tribe.
Although the colors and pattern of embroidery and patches may vary, the basic shape of a Harb dress has an unchanging concept with drop shoulder design and under-arm gusset:
Image source The Art of the Arabian Costume, a Saudi Arabian Profile book by Heather Colyer Ross.
This dress has white color patches:
Image source Traditional Crafts of Saudi Arabia book by John Topham
As you can tell I quite admire the long sleeve style and variations of patches arrangement in these tribal dresses.
Women would wear underwear garments beneath the thobe: a bralette (sidaireeya) was made of fine thin cotton or muslin, and roomy long pants (sirwaal) that are narrow from calf to ankle, made of satin, silk or cotton. The narrow part of pants would be heavily embroidered.
Image source The Art of the Arabian Costume, a Saudi Arabian Profile book by Heather Colyer Ross.
The next important component of the attire is a headdress. I only saw head shawls in black color, however they are always decorated with patches of bright color, tassels, mother-of-pearl buttons, metal and glass beads, or embroidered.
Image source Traditional Crafts of Saudi Arabia book by John Topham
I like these rhomb ornaments a lot:
The most spectacular attribute of the Harb attire worn particularly by the Harb tribeswomen was a decorative face mask. Richly embellished with coins, metalwork, tassels, metal thread embroidery and cloth, these masks would leave only slits open for the eyes to see through.
Image source 1) Textile Arts Council Magazine, January 2014, Volume XXIX, Number 1, Article Textiles and Costumes of the Arabian Peninsula, 2) Traditional Crafts of Saudi Arabia book by John Topham
The next Harb tribe mask was sold in one of the online auctions. Look at how much work was put into embroidering the whole mask with silver thread. It’s almost identical to the one from the above photo, with same type of tassels and square pattern of the silver thread decoration.
Image source: one of the online auctions
The next old Saudi Harb face veil must have been made in the Hijaz area. The cotton fabric is richly embroidered with silver thread, and was dyed with vegetable or mud paint. There are two lines of silver beads on each edge of the veil. A few strings of pearls run between the eye holes down to where the chin would end, continued by a coins line. The coins date from 1760 to 1948, the majority from the early 1900s, a 1760 Maria Theresa thaler and a 1840 East India company rupee with a young Queen Victoria can be distinguished.
Face masks look great framed.
Image source: one of the online auctions.
These face masks have unique mother-of-pearl decorative lines running around the perimeter.
Image source: one of the online auctions.
One more way to add a special personal touch to a face mask is these silver triangle hangings.
Image source and one of the online auctions
I can’t get enough of these beautiful garments (you can tell!).
This bedouin lady is showing off her unique face veil:
Image source The Bedouins of Arabia book by Thierry Mauger
Image source The Bedouins of Arabia book by Thierry Mauger
A bedouin woman in traditional dress, face mask and head shawl with metal thread embroidery
Image source unknown
Harb tribe woman doing housework in the tent.
Image source unknown
And if you think these gorgeous face masks are out of fashion, take a look at these two photos that were taken recently:
Image source: unknown and this website
I wish I knew who took the photo from the left. The photo from the right is taken by Manal Al-Dowayan, a Saudi artist, as part of the “I am” series, and is called “I am a Petroleum Engineer”. The woman in the picture is wearing a safety helmet and an overall, along with the tribal face mask. This shot is ingenious.
Image source: I saved these pictures to my computer without mentioning the source some years ago, and since then I was looking for the artist’s name. If you happen to know who drew these paintings, please don’t be lazy and write me a note, I would love to know. I will appreciate it!
I was lucky enough to find lots of information and a fair amount of photos of the Harb tribe, probably because this tribe was large enough. The important part was to figure out how all the multi-layered garments were worn, as in the pictures you can only see the outer layer.
Many elaborate multicolored elements of the thobe and the silver jewelry worn by the Harb tribeswomen inspired a few artists to paint this tribal attire. I’ve collected a few samples of such paintings and will feature them in one of the next posts.
Image source: A Land Transformed. The Arabian Peninsula, Saudi Arabia and Saudi Aramco book by William Facey